Storytelling
gone weightless

Storytelling
gone weightless

Storytelling
gone weightless

Unlock a new medium for creativity with our zero-gravity drone ORB.

Unlock a new medium for creativity with our zero-gravity drone ORB.

Unlock a new medium for creativity with our zero-gravity drone ORB.

Filmmaking in
zero-gravity is challenging

Filmmaking in
zero-gravity is challenging

Filmmaking in
zero-gravity is challenging

Learn how zero-g planes work

Lack of control stifles camera operator creativity

AJ Bleyer | Coinbase

Uncrewed space stations need remote inspection

According to 3 space stations

Astronauts waste %10 of their time on documentation

According to NASA

Uncrewed space stations need remote inspection

According to 3 space stations

Astronauts waste %10 of their time on documentation

According to NASA

The industries are excited

The industries are excited

  • “[I’d use a tool] if it was faster, smaller, and recallable, and I could move it on-axis. It's about being able to place and recall a camera in a way that doesn’t require me"

    AJ Bleyer

    Director, Zero-G Filmmaker

  • “It’s crucial that I capture high resolution action shots throughout an entire zero g flight so I have the best content to publish. ORB is free floating and can track me like a professional during weightlessness."

    Camille Elizabeth Bergin

    Space Communicator

  • “Being able to autonomously move the camera in any way you want would expand the creative toolbox."

    Matt Nowak

    Producer, Pixelbook in Zero-G

  • “We are willing to be integration partners."

    Michael Lewis

    Chief Innovation @ Nanoracks

  • “Brilliant Idea! It is hard to film these things and anything to make the production easier so the creative can do their thing [is helpful]."

    Kenneth Bolido

    VP Creative @ Overclock Media

  • “Cues, entering, exiting & interacting in the zero gravity environment, is virtually impossible to plan, especially if you had a fixed camera like I did [...] I think the biggest challenge of filming in space is how do you make sure the action stays in frame?"

    Richard Garriott

    Astronaut, Filmed "Apogee of Fear"

🎥 Art and Engineering ⚙️

🎥 Art and Engineering ⚙️

🎥 Art and Engineering ⚙️

Anna Shaposhnik

Anna Shaposhnik

CEO

Visual Designer, 3D Modeler & Machinist from the USC Iovine & Young Academy and USC Rocket Propulsion Lab. She is a 2021 Zed Factor Fellow, Zero-G flier, and spend 2+ years managing Marketing at Orbit Fab.

Aaron Wu

Aaron Wu

CTO

Mechanical & Aerospace Engineering student at USC and an award-winning trumpet player. Aerothermal at USC's Rocket Propulsion Lab & Combustion Physics Lab. Co-founder of aerospace non-profit in Taiwan (ISP @ NCKU)

Anna Shaposhnik

Anna Shaposhnik

CEO

Visual Designer, 3D Modeler & Machinist from the USC Iovine & Young Academy and USC Rocket Propulsion Lab. She is a 2021 Zed Factor Fellow, Zero-G flier, and spend 2+ years managing Marketing at Orbit Fab.

Aaron Wu

Aaron Wu

CTO

Mechanical & Aerospace Engineering student at USC and an award-winning trumpet player. He leads CFD at USC's Rocket Propulsion Lab & Combustion Physics Lab. Co-founder of aerospace non-profit in Taiwan (ISP @ NCKU)

The industries are excited

The space & entertainment industries are excited

  • “[I’d use a tool] if it was faster, smaller, and recallable, and I could move it on-axis. It's about being able to place and recall a camera in a way that doesn’t require me"

    AJ Bleyer

    Director, Zero-G Filmmaker

  • “It’s crucial that I capture high resolution action shots throughout an entire zero g flight so I have the best content to publish. ORB is free floating and can track me like a professional during weightlessness."

    Camille Elizabeth Bergin

    Space Communicator

  • “Being able to autonomously move the camera in any way you want would expand the creative toolbox."

    Matt Nowak

    Producer, Pixelbook in Zero-G

  • “We are willing to be integration partners."

    Michael Lewis

    Chief Innovation @ Nanoracks

  • “Brilliant Idea! It is hard to film these things and anything to make the production easier so the creative can do their thing [is helpful]."

    Kenneth Bolido

    VP Creative @ Overclock Media

  • “Cues, entering, exiting & interacting in the zero gravity environment, is virtually impossible to plan, especially if you had a fixed camera like I did [...] I think the biggest challenge of filming in space is how do you make sure the action stays in frame?"

    Richard Garriott

    Astronaut, Filmed "Apogee of Fear"

  • “[I’d use a tool] if it was faster, smaller, and recallable, and I could move it on-axis. It's about being able to place and recall a camera in a way that doesn’t require me"

    AJ Bleyer

    Director, Zero-G Filmmaker

  • “It’s crucial that I capture high resolution action shots throughout an entire zero g flight so I have the best content to publish. ORB is free floating and can track me like a professional during weightlessness."

    Camille Elizabeth

    Space Communicator

  • “The zero-g plane environment is unpredictable, imperfect, and personnel-constrained. Being able to autonomously move the camera in any way you want would expand the creative toolbox."

    Matt Nowak

    Producer

  • “We are willing to be integration partners."

    Michael Lewis

    Chief Innovation @ Nanoracks

  • “Cues, entering and exiting and interacting in the zero gravity environment, is virtually impossible to plan, especially if you had a fixed camera like I did [...] I think the biggest challenge of filming in space is how do you make sure the action stays in frame?"

    Richard Garriott

    Private Astronaut

  • “Brilliant Idea! It is hard to film these things and anything to make the production easier so the creative can do their thing [is helpful]."

    Kenneth Bolido

    VP Creative @ Overclock Media

Up-lifting
storytellers
unite 🫱🏼‍🫲🏽

Up-lifting
storytellers
unite 🫱🏼‍🫲🏽

Up-lifting
storytellers
unite 🫱🏼‍🫲🏽

Making storytelling go weightless

Making storytelling go weightless

Making storytelling go weightless